Those Above, Below and Between I: Angels

Hello and welcome to The Obscuritan. This month we shall discuss the study of Angels and Demons, beginning with various names, provinces and hierarchies of Angels, then those of Demons, before looking at the ways in which Diabolists, Diviners and other Nigromancers have attempted to utilize this information.

A note before we begin: Given that this concerns the work of hundreds of scholars, theologians and questers over several centuries, we have striven to provide representative, if not exhaustively complete, information. Believe us when we say there is almost as much information that we have not included as there is that we have, and most definitely far more that we have not uncovered. As always with our articles, we suggest you take this as your starting point for further research. Enjoy!

Origins of Angelology

The classification of Angelic beings can be traced back to pre-Christian tradition. The Zoroastrian liturgical texts (the Yasnas), from around the same time as the Zoroaster himself, discuss the Amesha Spenta, or “Bounteous Immortals”. Like many of the Vedic deities of early India, these creatures are as much divine concepts as distinct personalities, and were considered emanations of (and in a sense servants of) the supreme god Ahura Mazda. In later texts, they were also allocated a certain Province, or area over which they had dominion.

Vohu Manah – the state of mind conductive to fulfilment of one’s duties – Humanity

Asha Vahishta – A complex term roughly meaning the Highest Truth – Cattle/Animals

Kshathra Vairya – Dominion (in a desirable sense) – Metals

Spenta Armaiti – Devotion to the Holy – Earth

Haurvatat – Perfect Wholeness – Water

Amretat – Immortality or Deathlessness – Plants

The development of such a science of the servants of God is believed to have influenced strands of early Mystic Judaism (see Jewish Hierarchies). The Hebrew word which is translated as Angel – Malakah – in fact refers to a “messenger” of God, and includes, but is not limited to, Angelic beings. In Genesis 18, Abraham is visited by three men who are referred to as Malakah, and who prophecy that Abraham and Sarah shall have a miraculous child. The same is also true in Mark I: II - “As it is written in the prophets, Behold, I send my messenger before thy face, which shall prepare thy way before thee”. Similar in meaning is the Persian/Urdu name for angels, Farishta, meaning “one who is sent”.

Christian Hierarchies

Most Christian angelologies draw upon that of an anonymous theologian known as “Pseudo-Diyonisus the Areopagite”, after the scholar whom the works were erroneously attributed to. His discussions can be found here (Chapter 6 onwards specifically). We have compiled a list which includes the names most commonly occurring in such hierarchies and their relative positions.

Elders – God’s Attendants. Only mentioned in certain Apocrypha (See below)

Metatron – The Mouthpiece of God. See Named Angels

Archangels** – Leaders of God’s armies and hosts. See Named Angels

Seraphim – Angels of radiant love, who contemplate divine order and providence

Cherubim – Angels of absolute wisdom who contemplate the divine’s essence and form

Thrones – Mediators between the orders of Contemplation and those of Action

Dominations – Architects of the divine, who plan the order of the Universe

Virtues – Angels who move stars and planets, and serve as the instruments of miracles

Powers – Maintain the universe in harmony with divine will

Principalities – Supervisors of nations and rulers

Archangels* – Overseers of religion and holy things

Angels – Overseers of minor affairs who often act as guardians to mortals**

* While the title “Archangel” is applied to the highest named angels, as a rank itself it is usually second to last, just above mere Angels. Presumably those Angelic ranks above (Thrones, Dominations etc) are also Archangels, and those referred to only as Archangels are those who do not hold one of these highest ranks, but are above those with no status at all. The highest named angels, referred to as Archangels, are presumably among the Seraphim or of a class of their own above.

** St Paul at one point speaks of angels “ministering for them who shall be heirs of salvation”

Elders

The Elders are first encountered in the Revelation of St John. In John’s audience with God, the 24 angels are seated around the throne of God and act as interpreters of sorts between the two. Each takes the form of a stately elder clothed in white, with a harp and a bowl of incense formed from the prayers of Saints. Dante’s Purgatorio expands this description with “Crowns of Fleur-de-lis”. In the second book of Enoch and in the Vision of Paul, they are depicted as being among the highest angels (in the latter) in the first heaven (in the former). Not being listed as Archangels or Seraphim specifically, and with no mention of Metatron (see below), one can reasonably assume that these angels are the ones charged specifically with attending upon God.

Christian occultism has expanded in great detail names, powers and associations of angels, from the angels of the hours of the day, months of the year, seasons, planets and signs of the zodiac. Particular Grimoires often refer to angels which occur nowhere else, for example in the grimoire “The Sword of Moses”, four angels were charged with transmitting the titular body of knowledge – a body of spells, and the true name of God – to Moses. According to Dr Gaster’s translation, the names of these four are SKD HUZI, MRGIOIAL, VHDRZIOLO, TOTRISI, displaying more archaic translations a la YHWH.

Jewish Hierarchies

To summarise a complex topic briefly (one which we shall undoubtedly come back to someday), the focal point of Kabbalic practice is the Etz ha-Chayim, or Tree of Life, a path through which the mundane-level Human reaches the highest level of God. This tree is formed of 10 Sepiroth - attributes or avenues through which God manifests his power.

Later Kabbalic astrology associated the Sepirah with planets, and with a rank or Choir of angels, and an Archangel patron.

Sepirah – Planet – Choir – Archangel

• Kether – Pluto - Chaioth ha-Qodesh – Metatron
• Chokhmah – Neptune – Auphanim – Raziel
• Binah – Saturn – Aralim – Tzaphqiel
• Chesed – Jupiter – Chashmalim – Tzadqiel
• Gebruah – Mars – Seraphim – Khamael
• Tiphereth – The Sun – Malekim – Mikhael (Michael, but not the Archangel)
• Netzach – Venus – Tarshishim – Haniel
• Hod – Mercury – Beni Elohim – Raphael
• Yesod – Moon – Kerubim – Gabriel
• Malkuth – Earth – Ishim – Metatron

Choirs:

Chaioth ha-Qodesh - "Holy living creatures" – act as the Throne-bearers of God.

Auphanim – “Wheels" - angels of wisdom who manifest as wheels within wheels

Aralim – "mighty ones" – Angels of understanding

Chashmalim – "shining ones" – Angels of mercy and magnificence

Seraphim – "burning ones" – Angels of severity and justice

Malekim – “Kings” – Angels of beauty and harmony

Tarshishim – "sparkling ones" – Angels of victory

Beni Elohim – “Children of the divine” – Angels of glory

Kerubim – “strong ones” – Angels of the foundation of the universe

Ishim – “human beings” – Angels of the material world

The Kabalic world is also layered into four layers, each containing emanations of the Sepirah: Atziluth, containing the top four Sepirah, is the realm of pure Divinity; Beri’ah, containinf the next three, is the realm of the four Archangels; Yetzirah, containing the next three, contained the ten orders of Angels; lastly Assiah is the material realm, containing the last Sepiroth, Malkuth.

Angels in Islam

Islamic tradition does not have the same complex Angelologies of Judaeo-Christian tradition, and is much more vague about the forms and purposes of angels, a reflection of the indescribable, inscrutable nature of the supreme being, Allah. Nevertheless, some oblique descriptions of angels can be found in the scriptures. One example depicts angelic beings “with wings - two, or three, or four [pairs] and adds to Creation as He pleases: for God has power over all things" (Fatir 35:1). However, in an episode from the Hadith (traditions outside of the main Qur’an, but accepted by most Muslims), an angelic being is described as having “70,000 heads, each having 70,000 faces, each face 70,000 mouths, each mouth 70,000 tongues, each tongue speaking 70,000 languages, and all employed in singing God’s praises” (Davidson, A Dictionary of Angels pp36).

In this episode there is another curious “holy creature”. In this story, Mohammed is visited by Jibril, Israfil and Mika’il (see Named Angels), who bring him a mysterious steed called the Buraq, or “Lightning Mount”.

“Then he brought the Buraq (lightning-mount), handsome-faced and bridled, a tall, white beast, bigger than the donkey but smaller than the mule. He could place his hooves at the farthest boundary of his gaze. He had long ears. Whenever he faced a mountain his hind legs would extend, and whenever he went downhill his front legs would extend. He had two wings on his thighs which lent strength to his legs.” Mohammed used this steed to, in the company of the angels, ascend and explore the heavens.

Islamic scripture does, however, contain more named angels than the Bible or the Torah. These include:

The Archangels Izrail, Israfil, Jibriel and Mika’il

Moukir and Nakir, the angels who interrogate a person in the grave about his good and bad deeds.

Maalik is the chief of the angels who guard Hell.

Ridwan is the angel who is responsible for Heaven (Paradise).

Kiraamun and Kaatibeen are the angels who record the good and bad deeds of a person.

Appearance of Angels

While angels are depicted in popular culture as being humanoid figures with wings and, usually, visible gender, those angels which are described in the Bible and other scripture are often of outlandish appearance. A vision of one such angelic being appears at the beginning of the book of Ezekiel. Ezekiel sees a whirlwind coming from the north, within which were four colossal brass creatures. They were of human shape, with hoofed feet, four wings and four faces; the forward face was human, the rear an eagle, the left an ox and the right a lion. One set of wings were wrapped around their bodies, the other two stretched up and touching each other at the tips to form a circle. Inbetween these creatures were four whirling spheres of rings encrusted in eyes, and above their wings was a throne upon which sat God. This could well be a composite of two different types of angel – the Thronebearers (Chaioth ha-Qodesh) and the multilayered wheels (Auphanim).

Named Angels – Archangels and Others

Christian traditions usually recognize Michael, Gabriel, Uriel and Raphael, though certain schools interchange one or more.

The Eastern Orthodox tradition recognizes seven Archangels – Michael, Gabriel, Uriel, Raphael, Raguel, Remiel and Zerachiel.

Islam recognizes four Archangels – Mika’il, Jibril, Izrael and Israfil

Michael

The only named archangel in Hebrew, Christian and Islamic canon, Michael (“Who Is As God”) is widely considered to be the highest of all Angels, and is known by titles such as “Mighty Prince” and referred to as “The Great Prince who protects you people” (Daniel 12:1) referring to the Jewish peoples, and is sometimes given titles such as “Prince of Light” (in the Dead Sea Scroll War of the Sons of Light against the Sons of Darkness) which Satan formerly occupied. Considered the General of the armies of heaven, he is also credited with being the angel who stayed Abraham’s hand before he slew Isaac, and as one of the Malakah who visited Abraham. In Islam, Mika’il / Mikaaiyl has two areas of province – the bringer of storms and as the giver of rewards during life.

Gabriel

Gabriel (“God is my Strength”) is perhaps the most well-known angel in mainstream lore, being the one who destroys the cities of Sodom and Gomorrah, and the one who announces to Mary that she will bear the Son of God. Gabriel is also credited with some of the activities of Michael, Uriel and others (most likely due to said popularity.

In Islam, Jibril is the one who reveals the Qur’an to Mohammed, and who communicates with the Prophets.

Uriel

The “Fire of God”, variously described as Seraphim or Cherubim, amongst many other titles. Uriel has been credited with many of the tasks conducted by unnamed angels in the Bible – as the “Dark Angel” who wrestled with Jacob at Peniel, the one who warned Noah of the Flood, who guarded the gates of Eden after mankind’s expulsion (also credited to Michael and Raphael), and the one who destroyed the army of Sennacherib. Uriel is also frequently mentioned in occult works, and in Barrett’s The Magus is credited with having brought the science of Alchemy to mankind.

Raphael

Meaning “God Has Healed”. Frequently occurs in post-Biblical Christian works, acting as a guide in the Book of Tobit and on three occasions in Enoch I. Described as “One of the Watchers (possibly one of the Grigori). Also described as an angel of Healing (Zohar I), credited with healing Jacob’s wounds after he wrestled Uriel, and in some texts as one of the three Malakah who visited Abraham (along with Gabriel and Michael).

Azrael

The Angel of Death who visited Egypt and who writes in and strikes out names of the born and the dying in the book of life. In Islam, Izrael acts as the angel of death (Malak al-Maut) and is described as having 70,000 eyes and 4,000 wings, and with as many eyes and tongues as there are men in the world.

Ariel

The “Lion of God” depicted with the head of a Lion, Ariel occurs frequently in occult texts with a variety of symbolic roles, mostly revolving around his association with the winds (Uriel of course being associated with Fire, etc), which may be why he is sometimes (erroneously) attributed the status of Archangel.

Israfel

Israfel in Islam is the one who blows the horn that signals Judgement day, and whose feet are under the earth but whose hands touch the sky. He is said to look into hell once a day and weep floods of tears, and was sent, along with the other 3 Islamic Archangels, to the four corners of the earth to fetch 7 handfuls of dust to create Adam.

Raguel, Zerachiel and Remiel

Three Archangels venerated mainly in the Eastern Orthodox tradition. Raguel “friend of God” is the one who brings other angels to account, Zerachiel is one of the seven angels “who keep watch”, and Remiel is “one of those whom god has set over those who rise”.

Metatron

In Jewish lore Metatron is identified as the highest of all angels (a title held in Christian angelology by Michael) to the point of being given the appellation “The Lesser YHWH (Jehovah)” or Tetragrammaton. These match one of the two accounts of Metatron’s creation, which claims he was the first creation of God alongside the universe. The other account claims that he is the mortal man Enoch, great-great-great-great Grandson of Adam and father of Methuselah who, instead of dying, rose into the heavens and became God’s scribe. In texts such as Traditions of the Jews II and others, Metatron acts seemingly as God’s scribe and mouthpiece, receiving and relating God’s wishes to the lower orders of Angels. Metatron is also frequently mentioned and invoked in occult works. The Hebrew tract Sefer ha-Heshek (translated by I.M Epstein) ascribes 76 names to Metatron.

Occultist Angelologies

Emmanuel Swedenborg

In his book “Heaven and Hell”, Swedenborg goes into great detail as to the purpose and nature of Angelic beings. From the Preface:

“To prevent this negative attitude—especially prevalent among people who have acquired a great deal of worldly wisdom—from infecting and corrupting people of simple heart and simple faith, it has been granted me to be with angels and to talk with them person to person. I have also been enabled to see what is in heaven and in hell, a process that has been going on for thirteen years. Now I am being allowed therefore to describe what I have heard and seen, in the hopes of shedding light where there is ignorance, and of dispelling skepticism.” According to Swedenborg, all angels once lived as humans, grew to another plane, where they act as complete instruments of God, knowing that their own actions are merely the will of God and refusing any praise for the good they do.

Rudolph Steiner

An Anthrosophist, Steiner’s lectures on a variety of subjects included the concept of reaching higher planes of existence through Clairvoyance. Steiner’s own visions showed that the human mind could only reach so far upward, but that the first level above that of humans was the realm of angelic beings, whose ranks he gave as Angels, Archangels, Archai (“Original Forces”), Exusiai (equivalent to Powers), Dynameis (“Mights”), Kyriotetes (equivalent to Dominations), Thrones, Cherubim and Seraphim – ranks which evoke the original-language names of the rankings from “Pseudo-Dionysus”.

Theosophy

The corpus of the Theosophical Tradition, an eclectic mix of Kabala, Hindu and Western tradition, along with a good deal of “independent research”, contains its own metaphysics of the Astral plane, which they also termed the Devic Kingdom. “Deva” comes from Hindu religion, meaning a being of Radiant Light, or “Shining Ones”, AKA a male deity (the female term is Devi). The works of C.W. Leadbeater in particular expand upon this, such as this passage from The Devachanic Plane (pp82-3):

“The highest system of evolution connected with this earth, so far as we know, is that of the beings whom Hindus call the Devas, and who have elsewhere been spoken of as angels, sons of God, etc. They may in fact be regarded as a kingdom lying next above humanity in the same way as humanity in turn lies next above the animal kingdom, but with this important difference, that while for an animal there is no possibility of evolution through any kingdom but the human, man, when he attains the level of the Asekha, or full Adept, finds various paths of advancement opening before him, of which this great Deva evolution is only one. […] Though connected with this earth, the Devas are by no means confined to it, for the whole of our present chain of seven worlds is as one world to them, their evolution being through a grand system of seven chains. Their hosts have hitherto been recruited chiefly from other humanities in the solar system, some lower and some higher than ours, since but a very small portion of our own has as yet reached the level at which for us it is possible to join them: but it seems certain that some of their very numerous classes have not passed in their upward progress through any humanity at all comparable with ours.”

Leadbeater’s comments reflect the Theospohical belief that an adept can, through intensive spiritual practice, ascend from a mundane level (0) through that of symbolic death (4), resurrection (5) and eventual harmony with the planetary logos (10). This is paralleled in the Devic Kingdom, where levels of spirits ascend from that of elemental spirits to Devas to Archangels. Geoffrey Godson’s account of his own experiences with “angelic” beings portrays them from a more western perspective:

“These are the Spiritual Selves of men and Super-men and the vast company of the Angelic Hosts, of which the being who "addressed" me was a member. He was supernaturally beautiful, majestic, god-like, and impassive and impersonal to the last degree. As teacher to pupil, he began to tell of - and to enable me, with gradually increasing clarity, to perceive - the Angelic Hosts, their Orders and degrees. He told of their communion with men, as in ancient Greece, Egypt and Eastern lands, their place in Nature as Ministers of the Most High and of that great dawn of creation when, metaphorically, as the Morning Stars they sang together and as the Sons of God they shouted for joy. He spoke of the creative process as the composition and performance of a celestial symphony, of the Logos as Divine Musician and of His universe as a manifestation of celestial harmony. He told of the great Gods who assimilate the mighty creative chords in their ranks from the highest spiritual worlds to the realm of everlasting Archetypes, the great sound-forms upon and by which the physical universe is modelled. Therefrom, he said, the music of the Creative "Word" passes on to the lower worlds, where lesser Hosts formatively echo and re-echo it, thereby building all Nature's varied forms. Since the Great Artist of the Universe perpetually creates, the Creative Symphony is ever being composed and ever performed. Angels and men live amidst celestial harmonies, the everlasting music of the spheres.” (Introduction to The Kingdom of the Gods). Hodson goes on to detail the provinces of Angels as being those of Power (the release of energy), healing, Guarding of the homestead, Building and inspiration of architecture, nature, music, and beauty and art.

And finally, to lead us on to the next article…

Angels of Hell and the Fallen

Lucifer

Satan, the Devil and Lucifer are in fact entirely separate beings, but have become conflated together into the general identity of “The Adversary”. Lucifer’s association with damnation stems from a misreading of Isiah 14:3-14:20 –

When the Lord has given you rest from your pain and turmoil and the hard service with which you were made to serve, you will take up this taunt against the king of Babylon: How the oppressor has ceased! How his insolence has ceased! … How you are fallen from heaven, O Day Star, son of Dawn! How you are cut down to the ground, you who laid the nations low! You said in your heart, "I will ascend to heaven; I will raise my throne above the stars of God; I will sit on the mount of assembly on the heights of Zaphon; I will ascend to the tops of the clouds, I will make myself like the Most High." But you are brought down to Sheol, to the depths of the Pit. Those who see you will stare at you, and ponder over you: "Is this the man who made the earth tremble, who shook kingdoms, who made the world like a desert and overthrew its cities, who would not let his prisoners go home?" The “You” in the text, as one can see from the preceding text, is in fact a King of Babylon (Nebuchadnezzar), but since the word Lucifer means “Morning Star” or “Day Star”, the association, furthered by writers such as the Pseudo-Diyonisus finally entered the popular conception via Milton’s character in Paradise Lost and stuck.

Satan

The term Satan is, like other words we have encountered in Hebrew, one which has been used both as name and noun. Satan, meaning “Adversary” is used as part of common parlance by several figures in the bible, including Jesus himself to Peter (Luke 4:8).

The Office of ha-Satan occurs in the Bible and other sources, most notably in the Book of Job, as a form of “Chief Prosecutor” who provides the necessary critique of figures such as Job and Balaam (Numbers 22:22) so that they may be judged worthy or unworthy. Certainly angels have been assigned to watch over Hell and the forces of Destruction specifically by God, without being considered damned (Uriel, Maalik and Dumah, for example). The specific angel Satan was one of the Archangels, usually considered a Seraph (as the highest and most radiant, and thus seemingly more open to pride), but in Thomas Aquinas’ opinion could have been a Cherub, since their realm (knowledge) was more compatible with sin than that of the Seraphs (Charity). However, would occupying an office considered the antithesis of pride and sin not make the fall from it all the more terrible?

Girgori and Nephilim

Genesis 6 and Enoch Section II:6 feature the “Sons of God”, angels who act as Watchers (Grigori) of the race of men. However they observed in particular the beauty of mortal women, and 200 descended to Earth to sire mortal children – the Nephilim, creatures of great power. Not all the Grigori fell, however, and the remainders are credited with teaching mankind the skills of writing, harvesting, enchantment etc in other texts.

This probably stretches back to the Peri, beings in Persian mythology (in their texts, the Avesta) who were the descendents of a previous race of angelic beings some 2,000 years ago, and dwell upon earth doing penance in order to return to the heavens.

Theodore of Mopsuetia had an alternate theory of what the Fallen were – "fallen" angels were men who submitted to the will of Lucifer and became instruments of his will.

Read more!

Horrors of Europe II: Vampire

Hello and welcome to The Obscuritan. This week we explore another well-known creature from European Folklore - the Vampire. What we in the modern era consider to be a vampire - the corpse of an evil man, which rises immaculate from the grave to feed upon the blood of the innocent for eternity until it is burned alive by sunlight or impaled with a stake through the heart - is as much a composite of many different local legends as it is a product of romantic fiction. Over the course of this article we shall examine scattered accounts and reports by officials, shed light on creatures from the corners of Europe and the distant past, to answer the question of what the vampire truly is.

[NOTE – There are many, many noteworthy accounts of individual Vampires, any of which would benefit from more in-depth analysis. As with the other articles in this series, we shall come back to the Vampire in more detail, and on a global perspective, once we get more of a hang of this format].

Antecedents of the Vampire

As with the werewolf, the vampire too has its own early strain (though not necessarily origins) in Classical lore. The goddess Hecate was over time associated with many dread titles and commanded various servants and creatures such as creatures known as “the silent watchers of the night” (επωπιδες – [epopides?]), and the spirits Empusa, Mormo and Lamia. Eventually, Lamia and Empusa were demoted to the status of common demons or bogeymen. Empusa was believed to be the daughter of Hecate and Mormo, and fed upon the blood of sleeping people. The meaning of her name was often translated as One-Legged, and she was commonly depicted with one asses’ leg and one of brass. Menippus of Lycia was recorded as having fallen in love with a beautiful woman and planned to wed her in a matter of days until Apollonius, a legendary Greek sage who happened to be at the wedding reception, forced the woman to admit that she was an Empusa who planned to fatten up and devour Menippus after the wedding (Apollonius of Tyana by Flavius Philostratus, book IV).

Originally Lamia was a queen of Lybia (and, incidentally, a granddaughter of Poseidon) who became one of Zeus’ many mistresses, and bore him children. However, as with Zeus’ other mistresses, Hera had her vengeance upon Lamia, forcing her to devour her own children, which gradually drove her out into the wilderness and made her a serpentine monster who reportedly could not close her eyes, all the better to be tormented with visions of her dead children. This slowly fed into popular mythology in Europe, possibly influencing the character of Lilith, first wife of Adam in the Christian Apocrypha, and was often used as a threat against unruly children by their mothers. Surprisingly, she also found a home in the artistic world, being reimagined in Keats’ poem Lamia – which seemed to reflect more the story of the Empusa we discussed – which in turn inspired paintings by Herbert Draper and John William Waterhouse.

Colin de Plancey recorded a case of a man named Polycrites, governor of Aetolia, who died four days after his wedding. When his wife gave birth nine months later, the child was a hermaphrodite, which was considered an ill omen. The local seers believed that such a sign meant that there would soon be a disastrous war with their neighbour-state Locris. Deciding to burn the woman and her child alive in order to appease the gods, the sacrifice was interrupted on the day by an apparition of Polycrites, pale and wearing bloodstained robes, who demanded that the sacrifice not be carried out, for even greater calamities would come to pass. When the crowd made to carry it out anyway, Polycrites’ apparition seized the child and began to tear it apart with his teeth and devour it, leaving only the head before vanishing. Just as the elders were about to send word to Apollo’s oracle at Delphi, the head spoke, proclaiming a series of dark prophecies, all of which presently came to pass. Also associated with undeath was the scandal-ridden emperor Caligula, whose ashes were kept in the Mausoleum of Augustus between his assassination and the time his sisters took them and buried them. Between these events, the mausoleum was said to be exceedingly haunted and the house he was murdered in was burned to the ground. Whether Caligula indeed rose from the grave is of course debatable.

Montague Summers devoted a chapter of his works to possible classical precedents of the European vampire, and argued “that the vampiric idea was present among well-nigh all ancient peoples, the one great difference being that whereas the true vampire is a dead body, the vampires of older superstitions were ghosts or spectres, but ghosts that were sometimes tangible, and spectres who could do very material harm to living people by exhausting their vitality and draining their blood” (The Vampire in Europe pp64). There are a variety of elements to this – blood was indeed commonly used by the living to give strength to the dead in offerings to the spirits of hallowed heroes, and the doctrine of the early Christian Tertullian built upon classical example in claiming that the soul was corporeal. However, the idea of both the predatory ghost and risen corpse – what Montague calls a “true vampire” – are also reflected in examples in Eastern Europe, of which some are included below.

The Predatory Corpse – some case studies

Before examining these case studies, there are a few elements it is worth bearing in mind:

The vampire meets the hunter.

between 1718 and 1739 Areas of Serbia and Walachia were under German control. German officials, such as in the case of Peter Plogojowitz, as well as travelling scholars such as de Tournefort in the case of the Vrykolakas, were the reason that many such vampire cases came to the attention of the wider world in centuries to come, as folklore which is taken for granted is seldom recorded.

The Dead and the Plague

The manner in which a spate of vampirism occurred – one case leading to the gradual spread to many victims over time – mirrored another cause of fear and death that had swept Europe during the 1300s and still occurred in sporadic outbreaks – the Bubonic Plague. The rapid spread of death in the cases of Peter Plogojowitz and of Arnod Paole (see below) occurred in this manner. However, at this time it was still commonly believed that foul odours were the source of disease and the fact that many suspected vampires, once exhumed, do not smell despite sometimes over a month of internment would definitely excite the superstitions of the onlookers. This is reflected in the case of the Vrykolakas (see below), where the corpse possessed a particularly foul odour, and those dissecting it burned large quantities of incense in an (ultimately futile) attempt to mask the smell. Some of the accounts of European Revenants included outbreaks of the plague as following such incidents.

Werewolves, Sorcerers and the dead.

Certain types of people, already numbered among the damned, were considered particularly liable to return from the grave. These included sorcerers and witches, werewolves, heretics and nonbelievers (particularly in England), criminals and suicides. In an interesting comparison, the inhabitants of the Greek Island in which the Vrykolakas case occurred were of the belief that only members of their own Greek Orthodox church could fall victim to vampirism. The connection with werewolves bears noting, and shall be returned to when we discuss the vampire in Romania and Bulgaria. With that, we shall now look at our case studies:

Peter Plogojowitz

1725. Kisilova, Serbia. Within the space of a week, nine people died in their beds after a brief period of wasting away. Those that could speak claimed that they had been visited by the apparition of a man – whom they recognized as Plogojowitz, a man who had died ten weeks prior – who had lain upon them in their bed and throttled them. During the same period, his wife also reported seeing him, claiming that he had come to the door and asked for his shoes. The imperial provisor wished to send off to the capital for official permission, but the villagers claimed that they would simply flee if their request was denied, as by the time such permission returned the whole village could be wiped out. When the body was exhumed there was, aside from some decay to the nose, no rotting nor odour to the body. A layer of skin and one set of nails had peeled off and had regrown. Furthermore, there was fresh blood in the body’s mouth. At this point the mob demanded the body be turned over to them, who promptly staked the corpse, causing fresh blood to pour from the wound (and, curiously, to cause the erection of its member), before burning the remains.

The Shoemaker of Silesia

1591 Breslau, Prussia. A local shoemaker, otherwise well-liked and respected in the town, was found by his wife in the back garden with his throat cut – an apparent suicide. Fearing the social stigma they and the dead man would endure as a result, the man’s wife and sisters decided they would instead claim that he died of a stroke; the body was cleaned and clothed in such a manner that his wound was disguised, the sisters asked any visitors to respect the widow’s privacy, and a priest who happened to call in was shown the body. Since there was no perceived objection, the body was buried in the churchyard with the full service. However, despite the care the women took, rumours began to spread that the man had taken his own life, and as the inconsistencies in the three women’s stories led them to “confess” that he had met with an accident with a lathe, which they had disposed of. As the rumours persisted, however, the widow sued to not have the body disinterred and reburied under any circumstances. Not long after, an apparition of the dead man began to appear to people throughout the village, coming upon them and attempting to suffocate them, and would even make its assaults when there were witnesses guarding the victim. Faced with such a large body of evidence, the body was finally exhumed, and was observed to have not decayed in the least, aside from looking a little more bloated than usual, and the skin on the feet had peeled off and been regrown (as was the case with Plogojowitz). Furthermore, the clothing of the body smelled foul, but the cadaver itself did not, and the gash to the neck was still red. Finally, and surprisingly, upon one of the shoemaker’s feet was a prominent mole, which in the local lore was taken to be the sign of a sorcerer. Having exhumed the corpse, the attacks did not cease, and only gained intensity when the villagers tried laying the corpse under the town gallows. Finally, the man’s wife confessed that her husband had been a suicide, and that the authorities could deal with his corpse in whatever means were necessary. The body had its head, heart, hands and feet removed, all of which were burned along with the body, before the sack of ashes was thrown into the river. Henry More’s account (the first one in English) also stated that the dead man’s maid, who died some time after him, also rose from the grave, and was disposed of in a similar manner.

There are two possible explanations for this particular incident. Given that the man died by suicide, it could be that its being given a church burial (which was denied to suicide victims for precisely this reason) caused the body to react in a violent manner. The fact that the man may have been a sorcerer could also have contributed to this, as they were prone to reanimating themselves and were also denied church burials. However, there was no evidence that the body had physically risen from the grave, nor was there fresh blood within its mouth or belly. Those familiar with ghosts might also take note that none but the wife and sisters of the dead man saw the body until the circumstance of his death had been obscured, the confusion of their stories, and the difficulty of a man being able to cut his own throat. Was it truly the shoemaker who took a life that morning?

The Vrykolakas

Another case witnessed by an outside observer, the botanist Joseph Pitton de Tournefort (1656-1708), is just as macabre, though for its anatomical detail rather than its supernatural element which is notably somewhat absent. During the travels through Europe which would ultimately claim his life, de Tournefort witnessed the dissection of a peasant man of Mykonos in Greece, where a naturally quarrelsome man had been reported as having appeared in apparition at night, tormenting and playing tricks on many people throughout the island. Deciding to wait until nine days after the burial, Mass was recited before the body was finally disinterred:

The butcher of the town, quite old and very maladroit, began by opening the belly rather than the chest. He rummaged about for a long time in the entrails, without finding what he sought, and finally someone informed him that it was necessary to cut into the diaphragm. The heart was torn out to the admiration of all bystanders. But the body stank so terribly that incense had to be burned, but the smoke, mixed with exhalations of this carrion, did nothing but increase the stench, and it began to inflame the minds of these poor people. Their imagination, struck by the spectacle, filled with visions. They took it into their heads to say that a thick smoke was coming from the body, and we did not dare say that it was incense. People kept calling out nothing but “Vrykolakas!” in the chapel and in the square before it, this being the name they give to these supposed revenants. […] Several of the bystanders claimed that the blood of the of this unfortunate man was quite red, and the butcher swore that the body was still warm, from which they concluded that the deceased had the severe defect of not being quite dead, or, to state it better, to let himself be reanimated by the devil, for hat is exactly the idea they have of a vrykolakas. [Note: De Tournefort notes that it was plain to see that the blood was indeed decayed and stagnant, not fresh. The warmth was most likely due to rotting gases]. They caused this name to resound in an astonishing manner. And then there arrived a crowd of people who professed loudly that they had plainly seen that the corpse had not become stiff, when they carried it from the fields to the church to bury it, and that as a result it was a true vrykolakas. That was the refrain. (Barber, P. Vampires, Burial and Death, pp22-3).

However, this did not end the creature’s mischief, leading the villagers to speculate that the spirit was forewarned by the mass and entrenched itself in (or vacated from) the corpse until the procedure was over. While several people were arrested for causing mischief under cover of the Vrykolakas scare, the apparition continued until the corpse was finally burned upon a nearby uninhabited island, so its spirit could not cross the water home with them. While this story, related by a man of science, has none of the supernatural horror of other accounts, it does usefully reflect the grisly reality of vampire hunting – most of these cases we discuss must simply have been, if possibly unquiet spirits, still corpses rotting in their graves.

Arnod Paole

Possibly the most detailed account of an entire outbreak of Vampirism is in the appropriately titled Visium et Repertum – Seen and Discovered. Five years previously to the incident, a local soldier (haiduk) named Arnod Paole, who had been attacked by a vampire but had apparently staved it off by eating earth from its grave and smearing itself with its blood, had died in his home village of Medvegia, Serbia. About a month afterward, people reported being harassed, and around 4 killed, by Paole. He was exhumed and found to be undecayed, with fresh blood in his mouth and regrown nails and skin (as in Plogojowitz’s case) he was staked, letting out an audible groan, before being burned and his ashes reinterred, as were the four dead who exhibited the same signs. However, at this later date a fresh outbreak took place, where seventeen people died after brief illness over the course of three months, whereupon a medical official was dispatched. When the last victim died, claiming that one of the other dead, a haiduk named Milloe, had been the one preying upon her, the official took the advice of the local gypsies and came to the conclusion that vampirism was involved. The seventeen bodies, all housed in the same graveyard, were exhumed. Found, all in similar states of vampirism, were: An eight-day old child*, the sixteen year old son of a Haiduk and the seventeen year old son of another, a woman with fresh blood in her chest and veins and her eighteen day old child* in a similar condition, a ten year old girl, Milloe, an elderly haiduk, and the wife of another. All had died some time over the previous months and were in little or no stage of decomposition, and most had fresh blood in their bodies. Other bodies were exhumed, but found to be completely decomposed. Those in a state of vampirism were decapitated and burned, and their ashes thrown into the river. The incidents promptly ceased.

*See the last part of this article for more on infant vampires.

Bulgaria and Romania – the Vampiric Werewolf

As we have noted, there is a close relationship between the vampire and werewolf, which commonly extended to a dead werewolf resurrecting as a vampire. The most common name for vampires in Romania is Strigoi, which refers to two closely related creatures – the “true” Strigoi, which is the ghost of an evil man which rises and assumes animal form to terrorize the countryside, and the Strigoi Mort, a vampiric corpse. The powers of the Strigoi and the Romanian werewolf, Vârcolac, are often interchanged, reflected in the Pricolici, which rises from the grave bodily in wolf form. The similarly named Vǎrkolak from Bulgaria is somewhat different. Here, the name denotes an outlaw who, after 40 days in the grave, rises in either in animal form (again most commonly as a wolf, reflecting the predatory nature of the living man) or as a cyclopean ogre-like man who feeds on human flesh. One may also remember the Prussian werewolf mentioned at the end of last month’s article, which rose from the grave after having gnawed through its shroud, ripping open the ground and causing hellfire to spew forth.

The Russian Upir and its regional variations bear mentioning at this point, with a direct quotation of W.R.S Ralston, via Summers’ The Vampire in Europe:

Some of the details are curious. The Little-Russians hold that if a vampire’s hands have grown numb from remaining long crossed in the grave, he makes use of his teeth, which are like steel. When he has gnawed his way with these through all obstacles [the doors of houses] he first destroys the babes he finds in a house, and then the older inmates. If fine salt be scattered on the floor of a room, the vampire’s footsteps may be traced to his grave, in which he will be found resting with rosy cheek and gory mouth. The Kashoubes say that when a Vieszcy, as they call the vampire, wakes from his sleep within the grave, he begins to gnaw his hands and feet; and as he gnaws, one after another, first his relations, then his other neighbours, sicken and die. […] The Lusatian Wends hold that when a corpse chews its shroud or sucks its own breast, all its kin will soon follow it to the grave. (Summers, 288-9.)

Revenants

Instances of the dead rising for purposes other than predation on the living have also been recorded, though with their varied purposes and characteristics have made less of an impact upon the popular conscious than Vampirism. William of Malmesbury claimed that it was common knowledge that the Devil himself reanimated these bodies, allowing the wicked souls within them a second chance at sinning. The 12thC English historian William of Newburg (1136-1198) included a few prominent cases in his Historia Rerum Anglicarum, but claimed that so many individual cases of this kind existed that “were I to write down all the instances of this kind which I have ascertained to have befallen in our times, the undertaking would be beyond measure laborious and troublesome”. One example of the several he recorded in Book V Chapters XXII-XXIV is as follows:

The man in this case was died and, thanks to the effort of his wife and kinsmen, given an auspicious funeral. Nevertheless, the night after he appeared over his wife as she slept and made to press the life out of her. The second night he tried again, but was repelled by the watchmen who now stood over her. He tried the houses of his kinsmen who, too, were awake and guarded, before finally moving on to the stabled animals. He then took to wandering abroad, choosing to appear to certain people but still clearly visible to any witnesses. The Bishop of Lincholn was approached and, after counsel, declared the best solution was to decapitate and burn the corpse in the manner of a vampire. The local Archdeacon was loathe to do that, however, and instead the Bishop wrote a letter of absolution to the dead man, which was placed upon the (noticeably undisturbed) corpse of the man, before the tomb was closed again, and the attacks thusly ceased.

Walter Map (1140-1210), in his Distinctio Secunda (second book) of De Nugis Curialium (a book of local tales and courtly lore) also recounted several similar tales of undeath. One is of a Knight reclaiming his wife’s soul from the fairies, another – The Enchanted Shoemaker of Constantinople – we shall examine next time, but a few are of bona-fide revenants. Chapter XIV narrates another Knight who sires three children one after another, and each is found the next day with its throat cut. On the fourth attempt, a watch was set up over the crib, and a man who was given shelter for the night at the house joined this watch. Presently finding himself the last one awake, he was startled by a figure breaking in through the window and making for the crib. Seizing it, he and the household found that it was the child’s nanny, a maid well respected in the village. Branding her face with an iron key, the man sent others to her rooms and who presently returned with the maid herself, similarly branded. The impostor was forced to reveal that it was a devil which was given the form of the nanny in order to besmirch her virtuous standing.

In Chapter XXVII, the tale is told of a man complaining to the Bishop that a nonbeliever who died in his home had since come to the door of his home every 3 days and called out the name of one of the household, who would die in the next 48 hours. Though the corpse was decapitated and doused in holy water, it returned again and called out the householder’s name. He, despairing, charged out with a sword and chased the terrified thing back to its grave and decapitated it as soon as it lay down, thus ending its spree for good. As in the case of the Vrykolakas, could this have been a case of the corpse having time to entrench itself in the body before hunters could excise it the first time? Humorously, another reanimated atheist who appears in chapter XVIII lurks in an orchard until a cross is placed over his grave. Returning to it, he jumped back in alarm, and the hunters had to remove the cross and wait for the man to return to his grave before replacing it!

Lich – A Corpse without a Soul

An archaic term for a corpse, the lich has taken on a comparable, though smaller, niche in the modern consciousness. A lich was believed to be, rather than the vampire which never suspected the fate of its body after death, a man who ensured the survival of his soul after death by investing a portion of it into a Phlycatery – a talismanic box similar to those used in orthodox Judaism to house portions of the torah. The most well-known Lich was Koschei, an emaciated man who rampaged across the land in Russia terrorizing people. His soul portion was housed in the eye of a needle, inserted into an egg, placed in the stomach of a duck stuffed into a hare. Only destruction of this needle was said to be able to stop him.

Barrow-Dwellers and Undead Kings

The idea of a sorcerer being able to extend his life into undeath occurs in several of the norse sagas, where such men became draugr, often equated with ghosts and said to occur on land and sea. Several heroes of the Icelandic sagas fought such creatures, who often become haugbui or Barrow-Dwellers that guard the tombs they live on within. In the Saga of Hromund Gripsson, the hero fights the draugr Thrainn:

In previous days Thrainn had been king over Gaul, and he had accomplished everything by sorcery. He did much evil, until he was so old that he no longer wanted to know adversity any longer, so he went alive into the barrow and took much wealth with him.

Hormund comes upon Thrainn in his barrow-tomb, where he finds the former king sitting in his chair over a fire, blue and emaciated. He successfully wrestles Thrainn, who tries to cheat and slash Hormund with his claws. Hormund then takes his magical sword Mistletein and lops off Thrainn’s head and burns his body, claiming Thrainn’s horde of gold and the sword.

In another, The Grettis Saga of Grettir Ásmundarson, the protagonist as a young man also has reason to break into the grave of Kar the Old, who haunts the island where his barrow is set:

"On that headland," said Audun, "there is a howe, wherein lies Kar the Old, the father of Thorfinn. Once upon a time father and son had a farm-property on the island; but ever since Kar died his ghost has been walking and has scared away all the other farmers, so that now the whole island belongs to Thorfinn, and no man who is under Thorfinn's protection suffers any injury."

Grettir too wrestles and defeats this spirit and takes his hoard, though in his case it is what leads to his becoming cursed, eventually being condemned to outlawry.

Damned at Birth

The baptism of children soon after birth served as more than a means of securing the child’s membership of the church (and thus the community as a whole); to many, it was a preventative measure. Should the child die baptized, its soul would be accepted into the bosom of the Lord but without it, particularly if the child was stillborn, its soul had the potential to lurk at the fringes of civilization as a predatory monster just as much as that of an adult. The soul of an infant or child driven to monstrosity has the potential to be just as inhuman as that of an adult revenant, or indeed more so – as it died before experiencing the love of another person, and without being taught to feel emotion or humanity, one could not hold out the illusion that one could appeal to its reason or memories of its life (not that the adult revenant itself would be any more repentant, it must be said). The Strzyga, often used as an interchangeable term for Vampire in Poland, whose human soul has passed on leaving their animalistic soul to prey on humans, also referred to stillborn (and thus unbaptized) children who, if not buried in the manner one disposes of a vampire, would rise and stalk the deep forests and devour the flesh of travellers. The Scandinavian Myling was similar and also lurked in woodlands, but instead had a favourite trick to play on wanderers. The dead child would leap onto the back of a traveller and demand to be carried to holy ground so it could be buried, becoming heavier and heavier as the traveller walked until they collapsed, and the Myling would tear them apart in anger. These children were typically those abandoned by their parents and, without a Christian funeral were denied entrance to heaven.

Finally, as before, a quick preview of next week’s article:

(pp463) Albania swarms with devils and spirits (Ore), magicians and witches (Shtriga). Women in Albania are all born wicked. In some districts probably quite half the women have dealings with the devil. But it is very hard to detect them - Shtrigas can work many wonders, bewitch a man so that he withers and dies, or suffers aches and pains. A Shtriga can make herself quite small like a bee, and get into a house through the keyhole or under the door at night and suck a person's blood so that he fades and dies in time. The best safeguard is hard to get. A Shtriga always vomits the blood she has sucked. You must secretly track a woman you suspect to be a Shtriga when she goes out to vomit the blood. You must scrape some of it up on a silver coin and wear it, and then no Shtriga can harm you. Nothing is too marvellous for a tribesman to believe. (M. Edith Durham - High Albania and its Customs, 1908)

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Japanese Creatures IV: Yurei

Hello and welcome to The Obscuritan. For the last (for now) in our Japanese Creatures articles, we’re departing from the previous format and discussing one creature in particular – the Yurei or ghosts – and the various forms in which they appear.

Ghosts (霊 – Rei) in Japan come under a variety of names. The most common is Yurei (faint spirits), although Borei (ruined spirits) and Shinryo (dead spirits) are occasionally used. In some popular culture, Ayakashi is also sometimes used, although this is technically only used for those who have drowned at sea. The process of becoming a ghost was, to the Japanese, similar to the one most people who believe would subscribe to, in that it arises from complications in “passing on”. Japan, like many Asian countries, maintains a strong belief in Ancestor Spirits, the ghosts of departed family members and historical clan members, some of whom over time may be promoted to the status of minor deities, particularly if they were the clan founders. Furthermore, the spiritual dimension of the afterlife was distinct from that occupied by gods and spirits, which overlapped closely with the material realm. This then necessitated a “crossing over” that the spirit (Reikon) must achieve in order to depart the mortal realm, a process aided by the prayers and offerings of incense given at funerals. However extreme emotion, usually of anger, hate and so forth, though sometimes of simply things like envy or grief, can cause either the person’s spirit itself or a part of it to remain behind, either seeking vengeance for its being wronged (assuming it can even remember the life it had) or simply expressing its fury and grief to anyone who crosses its path. Some are simply a “loop” of such anger that lashes out at bystanders, and as such are extremely dangerous. In some cases, too, the spirit of a living person can enter this state as an Ikiryo, similar to Astral Projection, as the result of great rage or hate, in order to deliver a curse to the object of their feelings.

As one might expect from a feudal (and therefore patriarchal) civilization where hardship was a common factor of the majority of the population’s lives, women faced a hard life and thus many of the more popular archetypal Yurei have been of women wronged by husbands, lords or just the simple facts of life. This is so prevalent that many associate the term Yurei exclusively with such female spirits (perhaps due to its similarity to the feminine name Yuri or Lily). Below we have illustrated some of the most well-known of these wronged women and their origins.

Oyuki

Famously illustrated in the painting “The Ghost of Oyuki” by Maruyama Okyo, Oyuki was the ghost of his mistress in one of the Geisha (escort) houses who died young, but appeared to her deeply grieving lover in a dream, thus inspiring the portrait. Although not illustrating the depth of emotion on her part that characterized many Yurei before and after, she is notable for having inspired many of the features of the Yurei, particularly from the Edo period onwards, which would become hallmarks of ghostly apparitions – long dark hair, a frail body hidden under long white robes (white being the Japanese funereal colour rather than black) even when frailty was not one of their living characteristics, and the tapering off of their bodies at the legs which, particularly when such characters appear in Kabuki theatre, is often the first confirmation that the character is a ghost (alongside, in the theatre, their makeup).

The Nightly Weeping Rock

This tale takes place on the Tokaido highway, a road stretching from Kyoto to Edo (now Tokyo). Travelling upon this road one night on her way to see her husband, a pregnant woman is ambushed and murdered by a brigand. After she does not arrive her husband, chancing upon the site of the murder, is confronted by the ghost of his wife, which was ensorcelled into the rock when her blood splashed upon it. The ghost then hands their child to her husband alive and well, as the Bodhisattva Kannon had taken the child into her care after the murder.

Okiku

This tale concerns the local baron Tessan, who owned ten porcelain plates given by a Dutch merchant, and his beautiful maid Okiku. Many times he tried to seduce her, only to be rebuffed. Finally, Tessan hid one of the ten plates, and demanded that Okiku bring out all ten plated for him to use. She counted them time and time again, but could not find the last plate, and either (according to the teller) was thrown down the well by Tessan or jumped in herself. However, Tessan was plagued for many months afterwards by the spectre of Okiku rising up from the well, counting mournfully to nine, before breaking down into sobs, sometimes as many times a night as the times she counted the plates before her death.

Oiwa

This story takes place as part of the famous play Yotsuya Kaidan, by Tsuruya Nanboku IV, and concerns perhaps the most destructive and well-known Yurei of all. This story begins with the young couple of Oiwa and her husband Iyemon. Iyemon was a samurai, but due to his wife’s frailty, was forced to become an umbrella-maker to support them, a fact which led him to hate and resent his unknowing wife. The daughter of a rich local family also loved Iyemon, and her parents were eager to see her married to a man who, once no longer forced to perform menial

work, could regain his status as a Samurai. They finally made their move by providing Iyemon poison in the guise of medicine, to give to Oiwa. However, the medicine failed to kill her, instead horribly disfiguring her. In her last moments, Oiwa realized Iyemon’s deceit and cursed him with the same level of hate that he felt for her, the fury of which finally killed her. Not wishing to bear the shame and eager to be wedded soon, Iyemon simply dumped Oiwa’s body in the river, along with a servant who saw him do it, and the wedding took place a few days later. When Iyemon lifted his new bride’s veil, however, he was confronted by the leering, disfigured face of Oiwa, and struck out at her with his sword and killing the girl. Fleeing the wedding, he ran to confess to the girl’s parents, but was accosted in the road by Oiwa and the servant. Slaying them again, he found the bodies of his mother- and father-in-law at his feet. In once infamous scene Iyemon, having fled, tries to take solace in the wilderness by fishing, only to dredge up the bodies of his first two victims, miles away from the river where he dumped them. Finally, he flees to an abandoned shack on Snake Mountain, where the ghost of Oiwa finally comes to him through a leering, burnt-out lamp (as seen in the picture), as the very vines of the mountain itself writhe and come alive around him…

Two things are of particular interest in the case of Oiwa. Firstly, although she is horrific in appearance, and leads to the death of many people, Oiwa is not at heart a malevolent ghost, and those that die are merely the corrupt people who conspired with Iyemon to kill her. Secondly, to some in the audience, it is perhaps debatable whether Oiwa is indeed a ghost at all – an equally compelling explanation is that these apparitions are merely the unravelling of Iyemon’s sanity after killing the woman he once loved.

The Ghosts of Matahachi and Kikuno

In many stories, particularly those adapted for Kabuki theatre, the suicide of two lovers – each damning the other with their love – is represented by the two spirits, bound together by a length of cloth or rope, haunting future couples whose love is similar to their own. An interesting reversal of this, however, is the story of Matahachi and Kikuno, who instead found the younger brother of the man whom Matahachi served and Kikuno was the concubine of, having an affair with his deceased brother’s widow, who was now a nun. The younger brother kills them before they can tell anyone, but that night the two illicit lovers are interrupted in their bedchamber by the bloodied ghosts of the murdered pair who appear between them.

Yuki-onna

This spirit, unlike the ones we have looked at so far, is more of an apparition, and a predatory one at that, than a Yurei as such. Lurking in the mountains during the dead of winter, this spirit is sometimes depicted as a long-lost victim of freezing, and upon encountering a wanderer, she will open her arms and offer them a warm embrace. Though she is usually quite beautiful, accepting her embrace allows her to draw the life out of the traveller, leaving them a frozen corpse. Although feared by early winter travellers, modern depictions of the Yuki Onna have been more favourable, most likely stemming from the account of her given in Lafcadio Hearn’s Kwaidan (him again) of her sparing a man from his fate after having fallen in love with him.

A similar creature, the Yama-Uba (mountain hag) is often confused with the Yuki Onna, both living in the mountains and preying on humans. However, the Yama-Uba is more akin to the Yokai, and exhibits many forms which include features resembling Bakemono such as the Futakuchi-onna and the Hari-Onago, as well as the defining feature of the

Kuchisake Onna

Another departure from the standard Yurei archetype, this spirit has taken on a life of its own as a wildly popular Urban Legend amongst school-age Japanese teens. The form it takes in the modern day is as follows: A man (usually) is wandering through the streets at night on his way home from either the office or a bar, when he spots a woman approaching in the opposite direction. It is very late, and in concern he pauses. She is quite attractive from what he can see, even though she is wearing a white surgical mask over her face, common in Japan for people suffering from a cold. She looks up and asks him; “Do you think I’m pretty?” The man, seeing no reason not to play along, replies “Yes”. At this point, the woman quickly rips down her mask, revealing a horrifically wide mouth, seemingly slashed open from ear to ear yet nonetheless bristling with teeth, through which she asks “…How about now?” The victim has no time to reply, however, as she invariably flicks out a switchblade and slashes their throat.

Being a popular tale, though this story is thought to have began as the tale of a Samurai’s jilted lover, it has spread to just about every city in modern Japan, and from each locale (and indeed each teller), the manner of warding her off varies, from offering it hard candies to muttering the word garlic under one’s breath while drawing the Kanji for “Dog” on one’s palm.

Funa Yurei

We have already noted the Ayakashi being the souls of the drowned. However, another group of spirits of drowned sailors are just as well-known, and far more feared. The Funa-Yurei are a troupe of sailors which sail alongside a boat during a storm, and ask the sailors for a ladle. Failure to provide one would cause the ghosts to sink the ship in anger, but providing one would mean they would begin ladling water into the boat instead of out, sinking it as well. Canny captains, however, would keep on board a ladle with no bottom, meaning the ghosts could ladle all they wanted, without sinking their ship.

Ao-Andon

During the long summer twilight in the Edo period, many groups of people would play the game Hyaku Monogatari, or 100 ghost stories. Sat in a room with 100 candles, each person in the circle would tell a ghost story and blow out one candle. When the last one went out, a leering apparition would loom out from the blue andon lamps the candles were placed in – the Ao-Andon.

Aokigahara

Worth mentioning at this point is this small forest at the base of Mt Fuji, which has developed a reputation for both its beautiful scenery and abnormally high number of suicides – some 30 a year, and more than 500 in the past 50 years, making it the most ‘popular’ suicide spot after the Golden Gate bridge in San Fransisco. While the choice to die in such a beautiful place is perhaps a deciding factor for some, it may also have something to do with its appearance in the books The complete manual of Suicide, written in 1993 by Wataru Tsurumi, discussing the issue of suicide in Japan (rather than being some grisly how-to) and mentions Aokigahara as a hot-spot, and Kuroi Jukai by Seito Matsumoto, in which the protagonists finally commit suicide in the forest. This high instance has apparently had an effect upon the area, with spiritualists reporting a deep-seated malevolence in the very trees themselves (perhaps similar in nature to the Jubokko tree we discussed alongside the Bakemono), perhaps the reason why compasses have been claimed to go haywire inside the forest, although military-grade ones have been shown to work. Teams of searchers now patrol annually in the forest looking for any such victims, and are often alerted to any potential suicides by the practice, which has somehow gained prominence in Japan, of taking one’s shoes off and leaving them behind when one commits suicide, as one would when entering a house. The bodies themselves are housed in the Park-keeper’s lodge, where a person must stay with the body overnight for fear of its soul screaming all night and causing the body to get up and move about.

Exorcisms

As we have discussed, many of these spirits pose an active threat to the living, due to the sometimes irrational nature of their complaints, and all of these spirits, malevolent or no, were seen as objects of pity that lived tortured existences separate from the love of either dimension. But how then did one go about redressing the issue? In cases where the death was recent, the spirit may simply be pacified by allowing it some measure of closure; in popular stories, relatives of the deceased would find and punish (usually kill) the wrongdoers, or find their remains and bury them. In hauntings motivated by love, merely a chance to ensure that their feelings are heard is enough to allow the Yurei to find peace. The spirit does not always receive the closure it seeks, however. Okiku’s haunting, for example, was ended when a neighbour of Tessan’s agrees to exorcise her, and does so by hiding in the bushes until she begins her counting, and cutting her off at the end by yelling “TEN!”, at which point she shrieked and vanished, with no mention ever made of whether Tessan was punished for his actions. Given his status as a baron, however, it seems unlikely.

Sometimes indeed this is altogether impossible, as the passage of time has erased any possibility of finding the culprit – suspects and witnesses die, evidence is destroyed and so on. In other cases, there are spirits who have continued to haunt even after gaining some degree of vengeance. Oiwa, for example, is sometimes depicted to have remained on the mortal plane after aiding in the demise of Iyemon, her anger not having subsided (though this may just be an addition by later storytellers hoping to add a little more shock to their retelling). This may be as a result of the “loop” we mentioned earlier; what remains behind is not necessarily the individual, but a manifestation of their anger as an entity all of its own, whether or not it bears their name. In cases such as these, an exorcism may be required, for which there are four distinct schools of practitioners. The Kitoshi, a certain caste of Shinto priest (Kannushi) dedicated to healing practices were adept at exorcising, utilizing the Shinto rituals of purity and natural order to placate the spirit and restore harmony. A similar goal was the aim of the Buddhist monk (Bonze), who would recite mantras and prayers to the Buddha and other saints, or reciting passages of the sutras, in order to calm both the possessor and possessed. Two other schools of practitioners were more esoteric in nature, but seen as even more effective if the former two failed. The Onmyoji, practitioners of ancient Chinese customs, performed similar rites to the Kannushi, but combined with Taoist geomancy and other formulae. The Buddhist equivalent was the Yamabushi (whom we mentioned as being connected to the Tengu mountain Yokai), who would combine similar Chinese practices with the Buddhist approach. Often these placations would involve the use of Ofuda, strips of hemp cloth with the name of a deity or saint or excerpt from a sutra upon it, which was either used to keep the Yurei out, or attatched to its forehead to forcibly dispel it. In the most severe cases, shrines had to be built and prayers offered, much like a minor Kami or particularly powerful Yokai/Henge.

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Japanese Creatures III: Henge

Hello, and welcome once again to The Obscuritan. We continue our tour of supernatural Japan with a look at the Henge, or monstrous animals. Many of these creatures have whole volumes worth of stories associated with them, and would require entire articles each to do them justice, but for now a summary will have to suffice.

Often classed as either forms of Yokai or Bakemono, the HENGE are different enough so as to deserve their own category. Much like the Bakemono, the Henge are initially ordinary creatures of their own type. However, it is not extreme emotion that usually leads to their transformation but extreme age – usually reaching the age of 100 is seen as bestowing supernatural powers and a malevolent consciousness upon an animal. These powers are apt to vary from creature to creature, and in different regions such individual creatures may be venerated in dedicated shrines much like minor Kami spirits, for fear that they should be angered into a destructive rampage.

Kitsune (Fox)

One of the most widely recognized of all Yokai, Henge and Bakemono put together, both at home and abroad, the Kitsune is an import from China, though scholars have traced possible influences as far back as India. The power of the fox is tied into the number of tails it possesses – more than one tail being the hallmark of specifically a Kitsune, a new tail is said to grow every 100 years, although sometimes a Kitsune may “earn” a new tail through great deeds. The greater the number of tails, and thus age, of the Kitsune imbues many insidious powers, typically of illusions and shapeshifting, although some are able to fold the very fabric of space in an area to create a whole home under a floorboard, for example. Many Kitsune may team up to create the illusion of whole forests of trees and villages of buildings. Folklorist Kiyoshi Nozaki described there being thirteen “types” of Kitsune, in a hierarchy related to the elements. On the whole, Kitsune are ambivalent creatures, prone to proud behaviour and vindictive cruelty if angered. However, their shapeshifting is sometimes put to use in taking human form to seduce unknowing people, who may well take them for a spouse and sire (perhaps not entirely?) human children by them. However, the Kitsune is frequently fulfilling their own agendas by doing so – as a type of spirit, they are often symbiotically linked to elements occurring in nature or to shrines and sacred spaces, and if a Kitsune links itself to a human, it may suck their life-force from them. Kitsune do, however, co-operate with humans in many stories, and have even been made use of in the past by humans against their will. Witches

(usually termed tsukai or ‘users’ of various spirits) may have small fox spirits bound in pipes as Kuda-gitsune familiars, and in some northeastern regions, foxes were starved to death with food just out of their reach (similar to the Inugami we shall discuss in due time) and the food would be mixed with clay and shaped into a fox, possession of which granted prophetic powers.

A related phenomena is the Kitsune-bi or foxfire, a baleful green-glowing flame which the Kitsune can generate, and amongst other things be utilized in lamps for their nighttime processions. The name also can denote the phenomena occurring on its own or being caused by other creatures.

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The Kami (deity) of fertility, Inari, is commonly associated with the Fox, and statues of Kitsune dedicated to him can be found in the vast majority of Japanese villages and towns, as well as in shrines in modern megacorps seeking prosperity.

Tanuki (Raccoon-Dog)

Of a much more friendly and humorous nature than the Kitsune, the Tanuki has found equal favour amongst the Japanese, and through media such as Miyazaki’s film Pom Poko are slowly being noticed in the west as well. Tanuki are based upon the Japanese Racoon Dog, a canine despite its similarity to the Raccoon, although Tanuki is often mistranslated as either Raccoon or Badger (for Badgers, see Mujina below). Known perhaps even more so than the Kitsune for its shapeshifting, the power of the Tanuki lies not in its tail but in its scrotum. Depicted as unusually large in artworks, their scrotums could be stretched out, shaped and to all appearances become anything from a table to a boat. Indeed, one tale recounts a man taking shelter from the wilderness for the night in the house of a friendly person. Gratefully receiving food and other hospitalities, it is only when the traveller carelessly drops their lit pipe on the floor, that the whole house and its contents are revealed to be the illusion of a somewhat scorched Tanuki. Sometimes Tanuki illusions are undone by their failure to think ahead – one for example successfully fooled a Samurai into thinking he was a tree-branch, until he spread both arms out, lost his grip and fell out of the tree. This shapeshifting often leads the Tanuki to take the form of other supernatural beings and phenomena. In the Kajawa region, the Ashi-magari, a supernatural force which trips up travellers, is envisioned to be the tail of a mischief-minded Tanuki, and others may take the form of notorious Bakemono (see last week’s article) to scare townsfolk.

The most famous tale involving the Tanuki is Bunbuku Chagama, variously known as The accomplished and lucky tea-kettle (or simply The magic Tea-Kettle in Lang’s Cimson Fairy Book version), which is illustrative of the ease with which these friendly creatures form bonds with humans.

Mujina (Badger)

These Henge have seen their place in popular consciousness fade somewhat in recent years, both due to the popularity of the Tanuki, as the similarity of these two creatures leads to a blending of the folklore, and a misappropriation of the name Mujina to the Nopperabo (a faceless humanoid Bakemono we looked at last time) by early folklorist Lafcadio Hearn. The confusion with the Tanuki has unfortunately infiltrated even the academic forum, making distinguishing lore for each distinct creature difficult.

While capable of being as friendly to those who show it favour as any other Henge, the Mujina is more ambivalent than its jovial peer, and accidentally disturbing its den or killing a mate or cub may lead to an individual being terrorized by the vengeful being in the many forms it may take. It may also take on human form for protracted periods, but unlike the Kitsune, who usually takes the form of a beautiful woman (the Fox Princess of many stories) in order to entice men, the Mujina takes the form of a man, usually a Priest or Abbot, and can live undetected for years at a time, and is not generally believed to feed upon human energy. Whether this choice of disguise is in order to allow for mischief or simply the Mujina’s desire for a quiet, civilized life is perhaps debateable. This laid-back existence is sadly prone to a rather abrupt end, as the careless creature forgets to tuck its tail under its robe, and is revealed.

Neko (Cat)

Perhaps the only purely malignant of the Henge, the many stories surrounding the Bakeneko (freak cats) are almost universally of a horrific and insidious nature. Being an animal far more pampered and nurtured than any other, and without the threat of being sacrificed that that other domesticated pet, the Dog (see Inugami below), the Cat is most likely to live to a far riper age than most wild species, and holds a special relationship with humans. Commonly living to an old age is one means of a cat becoming a Bake, in other cases it is feeding a cat in the same place for Thirteen years (in some stories only three!), or allowing it to reach around eight pounds (one Kan) in weight. This propensity may be why there are so many stories of such cats becoming malignant, and possibly also the reason why they are said to exhibit such a wide-range of powers. These powers have included the ability to reanimate the dead by leaping over the corpse (though whether as a resurrection of the soul or the creation of a revenant is unclear), the summoning of mysterious fireballs, similar to the Kitsune-bi, and the ability to mimick human voices in order to lure people to an ill fate. Cats owned by the recently deceased were also seen as suspicious, perhaps due to a link with a type of ghostly spirit, called Kasha, which fed on the corpses of the dead and often appeared to be like cats [note – The Obscuritan could find very little on these Kasha, but will continue to look. Any findings will appear alongside the Yurei in the next article].

The very oldest cats undergo another “evolution” in their lifetimes as their tails split in two, the sign of becoming a Nekomata, the most dangerous of cat spirits. These beings, monstrously large and possessing most of the powers their weaker cousins gradually accumulated, possessed one even greater trick, an example of which is found in the following story. A young man who lived alongside his family and elderly mother noted a sudden change in her behaviour – she would stay locked in her room all day, not coming down for her food and speaking little to others. Peering in through a crack, the family were shocked to see a giant goblin cat wearing the grandmother’s clothes and eating small birds and mice as any other cat would. The man was forced to slay this creature, which shrunk back down to a normal size, and upon excavating the floorboards he discovered the woman’s gnawed bones.

Nezumi (Rat)

While in China the Rat is considered a melancholy animal, generally speaking the Nezumi, like their originators the Rats, are highly sociable animals, and imitate human society to a far greater degree than most other Henge. Stories in particular make mention of their weddings (something which only the Kitsune are recorded as regularly practicing), which take place on the 19^th day of the first moon, when humans will make sure to stay indoors for fear of disturbing them. Indeed, if Nezumi lived apart from humans for a long time, they were said to sometimes become massive Goblin shapeshifters. However, such shapeshifters were even more prone to discovery than the Mujina or Tanuki, as they could seldom resist scratching and gnawing at their skin as rats are prone to do.

One story in particular features a particularly large goblin rat. A young boy, training to be an artist after being obliged to leave the monastery he had lived at, was forced to seek shelter at night in an abandoned temple his teachers had warned him about. This temple had been abandoned after a colossal Nezumi had taken up residence, and had stood empty since. To comfort himself, the boy drew his favourite subject upon the walls until he slept – cats. The next day, he found the body of the Nezumi in the room with him, and bloodstained pawprints leading back to the cats upon the walls.

If this Nezumi favoured a temple lair, perhaps it could have been a relative of Tesso, the former monk and were-rat Bakemono?

Orochi (Serpent)

The most infamous serpent of Ancient mythology was undoubtedly the Yamata-no-Orochi, a colossal eight-headed wyrm from the Kojiki (the earliest of Japanese mytho-histories) which terrorized a feudal lord by devouring seven of his eight daughters until it was tricked and slain by the heroic demigod Susano.

Snakes themselves were seen as being able to take human form in order to feed upon humans, though in a more direct form of blood-drinking vampirism than the energy-leeching Kitsune. However, in later lore, snake shapeshifters were depicted in gradually more favourable light as being able to marry humans and bear children; a change which this observer would speculate as being related to the Chinese influence both of benevolent Dragons and of perhaps the goddess Nu Wa, who was part woman part snake and created the human race from clay and water droplets. Japanese dragons, taking their cues from China, Korea and the Indian Naga, are associated with the element of Water, and are apt to ally themselves with humans who earn their trust. In “The Invincible Pair” (a version of which can be found in Tyler’s Japanese Tales), a dragon is saved in its miniature form from a Tengu’s cave and certain dehydration by a monk, who he goes on to reward later in life.

Also worthy of note is the Tsuchinoko, a cryptid (form of creature which is either considered extinct or nonexistent by modern science, but believed by some to exist) breed of snake notable for its fatty body and supposed ability to bite its own tail in an Uroboros-like circle and roll around. Being a Japanese creature, it has of course been associated with the ability to talk, although it was apt to lie and had a fondness for alcohol.

Kumo/Gumo (Spider)

Instances of spiders achieving giant, monstrous form have occurred from around the 7^th Century. One example (the name of which eludes us) occurred during the lifetime of the first emperor Jimmu Tenno, which stood on two legs with six arms and had long red hair and huge teeth. Able to defeat whole armies, it was finally suffocated in its den with smoke from a fire at the entrance. Regular spiders were also feared to be able to suck human blood at night. Giant spiders that can take on the form of humans have occurred in several forms, two of which are especially noted – the Jogorogumo and Tsuchigumo.

The Jogorogumo was similar to a form of ogress, lived in remote places and only revealed its spiderlike form at night – during the day it was an attractive human who dawdled outside her lair waiting for passers-by. One such man who stopped sat awhile with the maiden, only suspecting foul play when he noticed the silk winding itself around his legs. Distracting her, he slipped the silk onto a log and tightened it – the Jogorogumo, thinking its trap was secure, yanked the silk, only to find the log. The man, of course, had long since made a run for it.

The other form of the Goblin spider is perhaps not even a Henge, or indeed a creature, at all. The name Tsuchigumo, or ground-spider, was in fact applied to an early tribe of Aboriginal Japanese, the Yatsukahagi, who lived in the Japanese alps. To quote from one source:

“Quite possibly the ancient Japanese believed in Human Spiders dwelling in the ground. This, at any rate, was the name – Tsuchi-gumo, Earth-spiders – which they gave to an aboriginal tribe, whose identity has been the subject of much controversy. They appear only in the oldest “history”, and according to one record had “short bodies and long legs and arms”. An Ainu myth makes them so tiny that ten of them could easily take shelter under one burdock leaf [note – the author may be confusing the Tsuchi-gumo here with the Koro-pok-guru, a race of tiny people in Ainu folklore] […] More probably they were simply pit-dwellers of small stature and perhaps of such ugly aspect, for crude features and garb, to be considered “as repulsive as a spider”. Japanese History, at any rate, would make them a rather defiant, savage folk which had to be tackled with circumspection.” (Casal – The Goblin Fox and Badger and other Witch-Animals of Japan, pp 89)

One cannot help but mentally compare this with the idea in Occultist/Conspiracy theorist circles of subterranean or otherwise lost races such as the reptilian Lemurians, a conflation perhaps of the Indian Naga spirits, the Naga tribes of Cambodia and a host of other such “Lost Lands”, found in books such as Blavatsky’s The Secret Doctrine. However, like almost all of the events featured in the mytho-historical early histories of Japan such as the Kojiki, the events are too vague and shrouded in mythology for there to be any comparison between the Yatsukahagi and bona-fide Aboriginal Japanese people such as the Ainu. The name Tsuchigumo was later applied to bandits and thieves who lurked in the mountains during more lawless periods of Japanese history, and thus was the idea of a race of monstrous man-spiders preying upon mountain travellers most likely born.

Although it is also called a Tsuchigumo, there is another slightly different form of the goblin spider that may be noted. This story concerns Raiko, retainer and member of the Minamoto clan, who battled with many demons, and mortals, throughout his career in the Heian period. Upon one such adventure, Raiko falls ill and is nursed for several days in a lodge. Gradually he comes to suspect the activities of the servant boy who brings him his medicine, and strikes the boy with his sword. The boy flees, and Raiko snaps out of an illusion to find himself coated in cobwebs. Upon freeing himself, he and his followers track the boy by his blood trail to a cave lair, where they find the body of a giant spider. In other versions, the spider is defeated but instead pledges fealty to Raiko, and saves his life on three further occasions.

Inugami (Dog)

We have included these creatures as Henge, although given that they are created by humans, rather than bred, one could almost call the Inugami a type of Tsukumogami.

Dogs have various supernatural connotations in Japanese folklore. Dogs are believed to be able to see spirits and bakemono, and in many stories it is heeding the dog’s alarm that saves the protagonist from calamity, or ignoring such warning which leads to it. This protective power of the dog did not always work out in its favour, since the blood of a dog was used to consecrate the ground around a newly established village, and royal processions would sometimes crush a dog under the wheels of the carriage to bless the journey. In the Oki islands, pet dogs are used like a witch’s familiar by Inu-gami-mochi (dog-god possessors) and will issue forth from their bodies to cause calamity to the owner’s enemies. However, the dog’s material body could wither and die while its spirit was in absentia, which would lead to the malevolent ghost possessing its former owner.

From this, the more widespread practice of creating an Inugami has developed for two ends. In the former, when one is faced with an overwhelming hatred and frustration against a certain foe, one either tethers up a dog or buries it up to the neck, and places food just out of its reach. When the dog is just about to die of starvation, one tells it the name of the person whom you wish to suffer and what to do, before hacking off its head. The dog’s spirit will hunt down this person accordingly, but will understandably bear a grudge against its owner. This is where the second means may come in. Often owners who wish to prevent the spirit’s hostility, or sometimes for this purpose alone, will install the dog’s head in a shrine in the home, or bury it in the garden under a statue of another deity (usually a cylindrical stone representing Jizo) and will venerate the spirit so that it will continue to serve its owner by guarding the home. However, many are the tales of such a spirit refusing this service and haunting its former owners, even after they move.

As one can see in Seiken’s illustration, he has chosen to depict the spirit itself in the afterlife, wearing courtly robes and being served as one would expect for a god.

Other creatures

These Henge I could only find a few references for, and only have a few properties associated with them.

Ao-Sagi-Bi (Heron)

Appearing from a distance to be an instance of foxfire, this fire upon the surface of a lake is in fact wreathed around a heron with glowing eyes, and often accompanied by smaller fireballs. It is rather uncommon in folkloric sources, and may just as likely be a mere manifestation of a different animal – particularly as fire is associated with the Kitsune – or a confusion with the Hito-Dama, the souls of the newly dead which hover as ghostly fireballs similar to Will ‘o’ the Wisps.

Basan (Cockrel)

Once night falls in the Ehime region the Basan, said to be a large fowl with spectral fire spilling from its mouth, emerges from the bamboo groves and stalks through the village making a rustling “basabasa” sound, though by the time people emerge to investigate, it has disappeared.

Kama-itachi (Weasel)

Deep gashes, to the legs in particular, suffered during high winds were attributed in the Koshinetsu region to an attack (Kametachi) of an unseen creature who raced along such sudden blasts, and which slashed at people it passed by. Seiken, who compiled the first written account, twisted the name with a pun to Kama-Itachi, or Scythe-Weasel. In Gifu, on the other hand, such injuries’ tendency not to bleed or be noticeably painful at first was put down to there being three creatures at work – one which stunned the victim, another who cut, and a third who applied medicine to stop the bleeding, all in the span of one instant.

Okami (Wolf)

As one may note from the name, this creature’s name derived from “great god”, though this is perhaps a linguistic slip from Kamu (which would mean “big mouth/biter”), and has been depicted as attending upon various deities. There appear to be two separate bodies of lore concerning the wolf, possibly owing to there being two (now extinct) species of Japanese wolf. The first of these two is very similar to accounts of the Bakeneko, being able to devour people and assume their form. The other generally concerns a spirit of the high mountains which, though not outright malevolent, does pose a threat to travellers of the high passes. One curious habit of the Okami is that, upon encountering an unburied corpse, it senses the impropriety of the situation and performs its own impromptu funeral by jumping over the corpse (again as the Bakeneko would to reanimate a body), urinating upon it – much as a coffin in a funeral would be sprayed with water – before devouring the body.

Ten (Marten)

A phenomena recorded in Toriyama Sekien’s One hundred demons night parade, depicting a gathering of Martens who wind and bundle together into a stacked pillar and glow with a ghostly flame similar to the Kitsune’s foxfire. As one can imagine, the Google results for Ten Martens Japan are somewhat inconclusive, but The Obscuritan shall keep his eyes peeled.

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